Tuesday 22 March 2011

Hits and other favourites

Many songs from the 1960s that were revived on the northern soul scene were reissued by their original labels and became UK top 40 hits in the 1970s. These include The Tams' 1964 recording "Hey Girl Don't Bother Me" (UK #1, July 1971) - which was popularized by Midlands DJ Carl Dene -The Fascinations' 1966 single "Girls Are Out To Get You" (UK #32, 1971), The Newbeats' 1965 American hit "Run Baby Run" (UK #10, Oct 1971), Bobby Hebb's "Love Love Love" which was originally the B-side of his 1966 U.S. #1 "Sunny" (UK #32 August 1972,) Robert Knight's "Love On A Mountain Top" of 1968 (UK#10, November 1973), and R. Dean Taylor’s "There’s A Ghost In My House" from 1967 (UK #3, May 1974).

The northern soul scene also spawned many lesser chart hits, including Al Wilson's 1967 cut "The Snake" (UK #41 in 1975), Dobie Gray's "Out On The Floor" (UK #42, September 1975) and Little Anthony & The Imperials' "Better Use Your Head" (UK # 42 July 1976).

A variety of recordings were made later in the 1970s that were specifically aimed at the northern soul scene, which also went on to become UK top 40 hits. These included: The Exciters’ "Reaching For The Best" (UK #31, October 1975), L.J Johnson's "Your Magic Put A Spell On Me" (UK#27, February 1976)[44], Tommy Hunt’s "Loving On The Losing Side" (UK #28, August 1976) and "Footsee" by Wigan’s Chosen Few (UK #9, January 1975).

"Goodbye Nothing To Say", by the white British group The Javells, was identified by Dave McAleer of Pye's Disco Demand label as having an authentic northern soul feel. McAleer gave a white label promotional copy to Russ Winstanley (a Wigan Casino DJ and promoter), and the tune became popular amongst the dancers at the venue. Disco Demand then released the song as a 45 RPM single, reaching UK #26 in November 1974. To promote the single on BBC's Top Of The Pops, the performer was accompanied by two Wigan Casino dancers.

In 2000, Wigan Casino DJ Kev Roberts compiled The Northern Soul Top 500, which was based on a survey of northern soul fans. The top ten songs were: "Do I Love You (Indeed I Do)" by Frank Wilson, "Out on the Floor" by Dobie Gray, "You Didn't Say a Word" by Yvonne Baker, "The Snake" by Al Wilson, "Long After Tonight is Over" by Jimmy Radcliffe, "Seven Day Lover" by James Fountain, "You Don't Love Me" by Epitome of Sound, "Looking for You" by Garnet Mimms, "If That's What You Wanted" by Frankie Beverly & the Butlers, and "Seven Days Too Long" by Chuck Wood.

Unique Blend - Yes Im in Love..

Seven Souls - I Still Love You..

NORTHERN SOUL - CHARADES - 'THE KEY TO MY HAPPINESS'

Frank Wilson - Do I Love You

Rarity

As venues such as the Twisted Wheel evolved into northern soul clubs in the late 1960s and the dancers increasingly demanded newly discovered sounds, DJs began to acquire and play rare and often deleted US releases that had not gained even a release in the UK." These records were sometimes obtained through specialist importers or, in some cases, by DJs visiting the US and purchasing old warehouse stock. Some records were so rare that only a handful of copies were known to exist, so northern soul DJs and clubs became associated with particular records that were almost exclusively on their own playlists. Many of the original artists and musicians remained unaware of their new-found popularity for many years.

As the scene increased in popularity, a network of UK record dealers emerged who were able to acquire further copies of the original vinyl and supply them to fans at prices commensurate with their rarity and desirability. Later on, a number of UK record labels were able to capitalise on the booming popularity of northern soul and negotiate licenses for certain popular records from the copyright holders and reissue them as new 45s or compilation LPs. Amongst these labels were Casino Classics, PYE Disco Demand, Inferno, Kent Modern and Goldmine.

The notoriety of DJs on the northern soul scene was enhanced by the possession of rare records, but exclusivity was not enough on its own, and the records had to conform to a certain musical style and gain acceptance on the dance floor. Frank Wilson's "Do I Love You (Indeed I Do)" has been rated the rarest and most valuable northern soul single